A two-person scene is hard enough in improvisation.
Add more people to the equation, and it gets more difficult to manage. When the lights come up on four or more people, I remember the advice that Mick Napier taught me back training at The Annoyance: think more of the same. Rather than finding points of differentiation, aim to bring your disparate characters in alignment over the context of the situation and how you all feel about it. While an eight-person monoscene with eight disparate points of view can be done, it isn’t easy to improvise!
However, I want to take a closer look at and unpack the dynamics and methods for three people improvising together in a scene. In general, three bodies in play tend to align in common relationships, and there are both pitfalls and strategies we can employ to heighten each dynamic.
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